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A film starring Samantha Turk, Chad Ortis, Bobby King, Dwight Jones, Anthony Pavelich, Dave Andrews and Jason Barbeck. Based on a story by Executive Producer / Producer Gerardo Betancourt, as adapted by screenwriter A.P. Stack. Directed by David Accampo and Jeremy Rogers (also Producers), with cinematography by Nick Harris. Scored and edited by Gerardo Betancourt. Filmed on location at the Lacy Street Production Center in Los Angeles, California (with a Panasonic AG-HVX200 using the DVCPRO HD codec at 720/24p). Running time is approximately 25 minutes. Production teams seeks distribution and/or development deal for a TV mini-series and/or feature film.
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| Good little show. The female actress stole the show. The story was interesting, minus dialect issues and one part when the actress either said, "fought" or "f_ _ k". I watched that part a couple of times and couldn't figure it out. The music was very good and mysterious. I was a bit thrown back by the few times the picture became grainy. I am not sure what time of the day it is (but the clock said 11:45 when the police chief was there), as you wouldn't check out a crime spot at 12:00 midnight (or would you)? Other than that, a very nice movie. |  | 
  
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| I waited so long to see this flick! The curiosity and suspense was really well kept, I can tell that much. From a non-professional point of view (I am just a viewer), the picture and lights are excellent, so it is the storyline. The music score fits nicely with each scene. I would love to see this film produced by a big house; lasting longer, with more action and six figure stars. In conclusion, nicely done! |  | 
  
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| This movie was really well made. It's very professional, and has high production value. I really enjoyed the female lead's performance (Samantha Turk). She did a great job with it. The film has a dark tone to it. I believe it really carries "film noir" to a different place (a place that perhaps most films of this type don't really go to). The lighting for this picture is simply amazing. This group did an awesome job in that aspect. I also like how the credits were done in the way of classic films. They do the film and Hollywood some justice. I can't wait to see this film expanded into a feature or mini-series. |  | 
  
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Hollywood, 1928 - During the murder investigation of an undercover cop, two vice officers scramble to find the true identity of an elusive individual who's known only as "the informant," a killer, and possibly a cop, who tips off the mob to the whereabouts of the police during booze runs. The plot thickens when the vice officers stumble across a mysterious, seductive woman...
Hollywood, 1928 - During the murder investigation of an undercover cop, two vice officers scramble to find the true identity of an elusive individual who's known only as "the informant," a killer, and possibly a cop, who tips off the mob to the whereabouts of the police during booze runs. The plot thickens when the vice officers stumble across a mysterious, seductive woman who claims to be a police mole, but who they believe could be the informant. "She claims innocence. They claim guilt."
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